May 11, 2012
May 8, 2012
The late 1990s mark a significant point in this development
of a heightened art/fashion phenomenon that is more far
reaching in its effect, as it results in fashion productions that
communicate through the medium of performance art.
Duggan, 2001 p.244
May 1, 2012
The griffe, a designer’s label, originally referred to the
mark of an animal’s claw. It acts as both site and instrument
of transubstantiation, which, without changing the physical
quality of an object radically alters its social role.
Deboran Fausch & Paulette Singley (1994) from Architecture
in Fashion
Apr 24, 2012
The value of these objects does not derive only from the
materials they are made in or the way in which they are
made, but from a special relationship between those factors
and the cultural significance of the context in which they are
produced and received.
Luca Marchetti (2008) from ‘Victims of Banality’
Apr 17, 2012
Fashion is a belief manifested through clothing
Yuniya Kawamura (2005) from Fashionology: An Introduction to Fashion Studies
Apr 17, 2012

Yolanda  Dominguez, 2011, Poses

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Fashion Journal
Weeks 7 through 12
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